The rack basically reamps the three Marshalls, which can also go straight to speakers. The Sound Sculpture Switchblade is the anything-mixes-with-anything-midi-controlled-yet-passive-signal-path router. All the pedals, amps, compressors and effects plug into its 16x16 matrix.
Anyway, I hope you enjoy them -- the photos are kinda quick-and dirty, but here goes...

My main axe is hanging on the wall - a '61 RI SG. I love that model so much I have three of them. Two have Fralins, one is stock with '57's. One of the Fralin-loaded ones is set up high with an open tuning and big wires for slide.

My new '71 Super PA, sitting on top a Cordovox leslie cab. I keep the Valve Junior hooked up through the leslie these days.
The pair of Pacific Woodworks cabinets are loaded with high-power EVM-12L's, well broken in. This is for the stereo sound from the rack, and still my favorite speaker setup for recording.

My Metro JTM-45 on top of the rack.

Korg DTR-2000 tuner
Lexicon Vortex
TC G-Major
(2) dbx 160x
Marshall JMP-1
Sound Sculpture Switchblade GL
Behringer dual compressor, used mostly for noise gates

My Harry Kolbe load box for the JTM-45.

The shiny chrome one is a Creation Audio Labs Mk.4.23 clean boost pedal (awesome boost!)

At the bottom of the rack, for stereo power into the two Pacific cabs.

My Metro JTM45/100 on a pair of "1960 Vintage" cabs loaded with Vintage 30's (I'm ordering a few Scumbacks to mix in).

My beloved Gretsch 6120DC.

'05 LP Standard


Another LP Standard. Obviously, this is the one I'm still trying to get the Stetsbar working correctly on. Hope I can get it stable...


New Firebird VII -- still has that New Guitar Smell.
On the floor to the left is a JCM800 2205.

Gold Tone Paul Beard signature dobro
'03 American Tele with Callahan compensated saddles and Fralins
Stevie Ray Vaughan Strat
Gibson SG Deluxe w/6 position switch (one of my favorites)
LP w/Stetsbar, pictured previously above
To the right, the ULITMATE ROCK MACHINE: The venerable Pignose amp.