Alpha vs CGE Pots

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straycat
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Alpha vs CGE Pots

Post by straycat » Sat Nov 03, 2007 3:45 pm

Has anybody used the CGE pots and what is the difference between Alpha and CGE pots?

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Re: Alpha vs CGE Pots

Post by bluze81 » Sat Nov 03, 2007 6:01 pm

straycat wrote:Has anybody used the CGE pots and what is the difference between Alpha and CGE pots?
Both good pots, the CGE solder much better when grounding to the back of pots, Alphas dont like to hold the solder well, I prefer the CGE pots, bluze

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Re: Alpha vs CGE Pots

Post by GUITARmole » Sat Nov 03, 2007 7:11 pm

straycat wrote:Has anybody used the CGE pots and what is the difference between Alpha and CGE pots?
The difference? A little over $3 isn't it? :D

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Post by straycat » Sat Nov 03, 2007 8:38 pm

Thanks bluze81 good luck on the JTM50 .How did you like your JPM50's that you built?

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Flames1950
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Post by Flames1950 » Sun Nov 04, 2007 7:44 am

The CGE pots are nice but their action almost feels too loose to me, like you could bump your amp and change the settings. Mind you, that's not actually happened, just feels floppy when I turn the knobs. Alphas typically have a nice smooth turn to them. PEC's are stiff and have kind of a scratchy, rough feel to them when you turn the knob.
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Post by Billy Batz » Sun Nov 04, 2007 8:21 am

Alphas get that way tho and some in a short time.

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Flames1950
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Post by Flames1950 » Sun Nov 04, 2007 8:40 am

Billy Batz wrote:Alphas get that way tho and some in a short time.
Loose and floppy, or stiff and scratchy?
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Post by bluze81 » Sun Nov 04, 2007 12:29 pm

straycat wrote:Thanks bluze81 good luck on the JTM50 .How did you like your JPM50's that you built?
the JMP50 build I did is awsome, I gig with the amp on a regular basis,its so creamy sounding, I get many a complement on tone when other players come to the shows,I also have a Metro/Blueflame 45 that Flames1950 built,that gets played out alot as well, these amps are killer tone, and dont break the bank...bluze

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Post by straycat » Sun Nov 04, 2007 6:08 pm

I have used PEC and Clarostat pots before and prefer the PEC over the Clarostat. I know you can not solder on the back of Clarostat pots. Can you solder on the back of PEC pots?

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Post by bluze81 » Sun Nov 04, 2007 7:34 pm

straycat wrote:I have used PEC and Clarostat pots before and prefer the PEC over the Clarostat. I know you can not solder on the back of Clarostat pots. Can you solder on the back of PEC pots?
I think theres a picture of one of the Metro amps in the store with pec pots that have the ground buss wire soldered to the back of the pots, so it looks like George does it,I think?[need to check the picture of the JTM45/100 build in the store] if so it would be wise to use a heat sink when soldering to back of any pots.

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Post by Billy Batz » Sun Nov 04, 2007 9:45 pm

Flames1950 wrote:
Billy Batz wrote:Alphas get that way tho and some in a short time.
Loose and floppy, or stiff and scratchy?
Former.

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Post by neikeel » Mon Nov 05, 2007 12:11 am

I have used all three types in my builds.

I prefer the CGE pots for ability to solder. The PEC pots feel more solid, don't find them scratchy. They are very similar to the original RS pots found in early plexis. I believe that they do not solder well (aren't the backs stainless steel?). I did not even try and copied Flames by putting a straight bus wire looped through the lugs of my PEC pots.

Alphas are ok but do not solder nicely even after polishing a strip of the plating off with a grinding wheel.

CGE feel and look closest to the originals and solder well.
Neil

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Post by Joe Popp » Mon Nov 05, 2007 1:21 pm

I have tried Alpha, PEC, and CGE. Out of all of them I like the CGEs the best. CGEs do use a plastic stop which can break if you are putting on tight knobs. I use a buss bar so soldering to the back of the pot is not an issue for me, but I think the PEC pots are stainless. You could use a buss bar for grounding or do it the way Germino does. Not authentic but it works great.

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Post by GUITARmole » Tue Nov 06, 2007 1:45 pm

bluze81 wrote:if so it would be wise to use a heat sink when soldering to back of any pots.
How do you heat sink the back of a pot while at the same time getting it hot enough for solder to stick?

Beside looking cool what's the point of grounding the backs anyway? Aren't the backs all grounded anyway by the front being attached to the chassis by a metal shaft sleeve and nut?

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wdelaney72
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Post by wdelaney72 » Tue Nov 06, 2007 2:08 pm

GUITARmole wrote:
bluze81 wrote:if so it would be wise to use a heat sink when soldering to back of any pots.
How do you heat sink the back of a pot while at the same time getting it hot enough for solder to stick?

Beside looking cool what's the point of grounding the backs anyway? Aren't the backs all grounded anyway by the front being attached to the chassis by a metal shaft sleeve and nut?
The grounding bus on the back of the pots is not necessary. A while back Rockstah posted this grounding scheme for the amp, which is very quiet:
------------------------------------------------------------------------------
v1-v2 cathodes grounded on pot buss between the input jacks and first volume pot -

the pot grounding buss( the presence pot is not in this buss ) should be grounded to the choke screw under the main board closest to the front of the amp. run a wire from your buss to this screw with a lug there

preamp cap on main board goes to same screw as the pot buss

pt grounds on PI cap screw closest to the front of amp along with the bias supply and mains grounds.

screens ground along with PI cap and presence on the other PI cap screw towards the back off the amp.

the ac plug gets its own screw and lug ( i threw a lug on one of the PT mounting screws.

In keeping with the above scheme the bias pot grounds would stay with the regular bias supply ground. An added gain stage like Bainzy's you could run the added stages grounds together, then to the lug the preamp ground goes to, or even just the preamp ground buss would likely do. The switch the same, though it only grounds the added tubes grid to ground to silence it when not in use, so shouldn't be too important exactly where it grounds as no circuit current flows through there.
Also a good general idea if using the scheme discussed here is to NOT solder the preamp buss wire to the control pot backs. Doing this creates potential ground problems, though you very often will get away with it just fine in these amps. Best though for there to be one path to ground, and each pot back that is soldered to the buss creates string of multiple ground points through the metal pots themselves.
Walter

"There's no great thing in being a soloist. I think the hardest thing is to play together with a lot of people, and do it right." - Angus Young, 1984

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