ATBL and the Variplex
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- LypsLynch55
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+1T.J.Fuller wrote:a two-delay set-up is totally the way to go to cop that ATBL tone.
sounds extremely spot on, and that's a tricky VH tune to dial in right.
great sounding amp and playing.
What type or types of delay are you using for this clip?
Pete - if you could shed some light on this, you would help my insomnia.....
"Just shine the echo there....Tommy get those cords that we use" - DLR during the Pasadena Rehearsal
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Now I'm going to really put you on the spot, which of the amps listed above is your favorite! yeah, I know they each do different things but which one do you find yourself playing most often?sinasl1 wrote:MARCO wrote:Hey Pete
Get some sound boards that they use in studios to absorb the sound. Wont those help?? I have the same problem too since I live in a townhome and have people on either side of me.
"Good day!"
Pete if you had a choice of buying an old Marshall or a V-Plex which one would you go for....from a tone aspect, not a resale or investment standpoint??
I own 3 Divided By 13's, 3 Komet Concordes, a Suhr Badger, a Top Hat Emplexador, a THD Flexi 50. an EVH 5150III- and one old Bassman head. So I'm clearly in the new/boutique camp....
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I personally think anything Eventide makes is outstanding. My old H3000 DSE, DSX and Eclipse were all A+. I had a feeling that Time Factor would sound nice. I am thinking of ditching my REPLEX for something different but it is the only unit that can duplicate the end of Eruption (besides the real things used of course) and it has a little drive to it hit the front of the amp. Decisions??!!



MARC34
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Hey Stan, No luck yet on a new/used LP that sounds decent- yetbmf5150 wrote:.....did you find another les paul you wanted yet?

The chart/book was from 1966.Good Guest wrote:Actually the chart is probably correct during the time it was made.The materials used in heaters and the various coatings at that time are different than the metal alloys and coatings used now. That has a great effect on tube life , quality and tone.Could it be ...todays tubes are better quality in the heater department? This is good news if they are.
My experience seems to concur, no troubles running NOS or new at around 5V heaters for years, but I'd be reluctant to go below that.tonepilgrim wrote:Interesting insight in that article SDM. I guess that's another data point that lower heater voltages are not necessarily that bad, if at all, for tube life. I still don't really understand why, I just know my experience is consistent with that.
-Steve
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Which are my fav amps- well, of the ones i own, I must say the Komet Concorde is a superb EL34- based amp and my ftr37 is like the most badass deluxe reverb on steroids tone ever. Those two are keepers in my stable. But i like lots of different amps fir different reasons.. For example, wgen i go to Linda Perry's studio for sessions, I rarely take anything other than my pedalboard and 1 guitar- she has so much stellar stuff there, I don't feel the need. I'm using deluxes, vox, hiwatts, marshalls, supros, a carr slant 6v... anything and everything at her place.
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Im sure it sounds nice(5150 III) but im not crazy about multiple channel (3 channel) amps,i perfer single channel amps,multiple channel amps with effects loops,etc,etc tend to take away from the overall tone,plus in eds early days he didnt use multiple channel amps to achieve his tone,i think that that multiple channel amps are just cost efficent for amp companies and also you dont need to lug around multiple amps,just my opinion...
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It's best at mid to hi gain. The clean channel, depending on how you set it, has a good tweed Bassman-ish or Hiwatt-ish type tone, that level of gain... but it's no Twin Reverb, or Vox for that matter. I could make do with it and only it on gigs- but as soon as you hear the clean on my /13 FTR 37 next to it, it's game over.MARCO wrote:I want to know what Peter thinks of the 5150 III amp for tones other than high gain & EVH stuff.
???
Buy it for the OD tones, not for versatility, that's what I think.
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Thanks Pete,
I would just love to have an alter ego to my Marshall if you know what I mean. My Marshall does the old school stuff so I was looking for something could handle the more modern tones and high gain, that way I have 2 good amps that can cover alot of ground.
I miss my Soldano SLO-100 that had all of the mods. Maybe a OD-100?? Any suggestions??
I would just love to have an alter ego to my Marshall if you know what I mean. My Marshall does the old school stuff so I was looking for something could handle the more modern tones and high gain, that way I have 2 good amps that can cover alot of ground.
I miss my Soldano SLO-100 that had all of the mods. Maybe a OD-100?? Any suggestions??
MARC34