
I've put together my Ceriatone 1959 in December:
http://forum.metroamp.com/viewtopic.php ... 1&start=45" onclick="window.open(this.href);return false;
and checked the voltages here:
http://forum.metroamp.com/viewtopic.php ... 3&start=15" onclick="window.open(this.href);return false;
Filtering is 50/50 F&T caps allround (formed according to Larry's Method). Wired like this: http://www.ceriatone.com/images/layoutP ... iatone.jpg" onclick="window.open(this.href);return false;
Larry grounding
3H Classic Tone choke, which was excluded by some, since the current rating is too high for saturation.
JJ EL34, biased at 67/68% plate dissipation, tubes are no more than 6mV apart in bias.
Also tried another matched quartet of E34Ls, still 6mV apart, still the same ghosting.
It seems to be the usual ghost note happening between strings D to B around frets 11-14, or at least on all notes in the same octave range. Neck pickup is more obvious.
I tried 2 different guitars, you can listed to clips here:
https://soundcloud.com/overtone85/sets/ ... host-notes" onclick="window.open(this.href);return false;
before installing a master volume I could say the ghosting is almost gone with Bright Volume at 3.
After I installed a LarMar PPIMV the ghosting is almost completely gone with master volume at 5.
I've measure the tail and cathode resistors at the PI and they all seem consistent in values, withing spec.
The plate resistor instead were 112k and about 91k.
I decided to try and balance the PI to see what happens.
First of all I replaced the plate resistors with a 100k and 82k. This made the amp a bit less gainy at volume 5 somehow. (I compared it to a clip I recorded once the amp was finished).
I've found Novosibir's post about balancing using resistors in parallel with the 82k and checking the signal voltages at the PI coupling caps, while feeding a 1kHz sinewave. (all controls at 10, presence 0)
At first I increased the signal volume until the PI output was 30vac on the 82k side, but there wasn't much difference between the 2 PI halves.
One day I was measuring the voltages out of a dummy load and I realized that a guitar signal was much higher, so I retried the test again.
Bright volume 10, tonestack 10, presence 0, LarMar MV 10. I plugged my Charvel with Duncan JB and a nice heavy strumming could deliver up to 70vac at the 82k side


I immediately hooked up a signal generator, 1khz, -19dB from my computer. This delivered about 68vac on the 82k side.
The 100k side measured about 57vac


I also remembered that I was testing the amp with a 12AT7. So I kept the signal volume as it was and swapped the PI with a 12AX7 and:
82k --> 57vac
100k --> 46vac
I connected the two coupling caps together to check the signal difference and it measures about 13vac.
I started paralleling big resistors on the 82k (values from 4.7M to 470k) to try and lower the voltage difference, without much luck.
When I tried on the 100k side instead I was able to lower the voltage difference down to 5.3vac, but I had to use a 34k resistor!


as I started to use even lower values the difference was going up again.

This way the ghosting is not completely gone but it seems reduced somehow. This resistor value is probably a bit too much since it's also reducing the PI volume quite a bit... and adding what sounds like 'compression? you should be able to A/B the tracks.
This might be all wrong but I thought I could be worth trying...
I've recorded two clips, similar to the ones above, same controls settings and neck pickup.
with no resistors added:
https://soundcloud.com/overtone85/charv ... comparison" onclick="window.open(this.href);return false;
With two 68k resistors paralleled on the 100k plate resistor, thus reducing the difference voltage to less that 50%.
https://soundcloud.com/overtone85/charv ... terbalance" onclick="window.open(this.href);return false;
Please let me know what you think. I've read somewhere there are other ways to balance the PI, on the tail resistor for example. Any suggestion on what I could try there?
I don't wanna increase the filtering...

