Post
by yngwie308 » Sat Apr 07, 2007 11:05 am
There is always a place for slower more melodic playing,and slower playing dosen't have to necessarily be blues orientated,there are many other modes of playing.
Peter Green for example,his note choice,and expressive style of playing basically created Carlos Santana's whole lead style,Carlos often pays tribute to Peter for his influence,but Peter used a much more expressive way of playing,not relying on a overdriven Boogie type tone,as that did not exist then!
Steve Vai talking about his experiences on the Crossroads movie,stated that Ry Cooder was the best groove player he had ever heard and really learned a lot about timing from him.
Steve Vai by the way often dosen't get enough credit for his flexability,pardon the pun,but he can switch from so many styles at once and be in the pocket with them all,with virtually no blues playing at all in his arsenal.I love the soundtrack with Mick Jagger,from Performance,especially Memo from Turner,Ry is amazing on that LP.
It's great to be able to listen to all different kinds of players and not necessarily compare them all the time,that is a big mistake that we all have been guilty of at one time or another!
Groove and feel are as important component of great playing as speed and amount of notes played.Many pros say don't show everything you've got all at once in a solo.
The most memorable solos are the ones that have a sort of construction or composition,Jeff Beck always says to get in and out,with the least amount of trouble,when soloing!!
I always try to listen to as many diverse kinds of players as I can,as you learn a little something from them all.
The 50 watt Marshall amp,other than my JTM45 is the amp I have the least experience with,as I have never owned one before or played for any length of time with one.Maybe in the future I will find the 50 watt to be one of my new favorites,it's a good possibility!
yngwie308