I never much liked gary moore, but..........

Techniques for getting your tone to tape.

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robbygray
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I never much liked gary moore, but..........

Post by robbygray » Sat Apr 21, 2007 12:45 am

Damn.....seriously this is the most rocking thing I've ever seen....He owns it....and his tone is amazing....you think he's using a fender reverb box and is that an old 800? His voice sounds great on this performance as well. Man, this band had there great points.

http://www.youtube.com/watch?v=K9n981iQz3w[/url]

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NY Chief
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Post by NY Chief » Mon Apr 23, 2007 7:17 pm

"I've never liked Gary Moore much..."

uh-oh....where you at, Dave? :o

Hey Dave, is that Cozy in that vid? Sure looks like him in the quick glimpse I caught.
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NY Chief
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Post by NY Chief » Mon Apr 23, 2007 7:31 pm

Check this one. Moore goes toe to toe with BB!

http://www.youtube.com/watch?v=lqAuuIDU ... ed&search=
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robbygray
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Post by robbygray » Mon Apr 23, 2007 10:56 pm

Tone...is this the Peter Green Guitar?

Do you know of any 70's era Recordings or vids I can check out?

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Post by Winder » Mon Apr 23, 2007 11:31 pm

NY Chief wrote:Check this one. Moore goes toe to toe with BB!

http://www.youtube.com/watch?v=lqAuuIDU ... ed&search=
This is smokin'.

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Tone Slinger
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Post by Tone Slinger » Mon May 14, 2007 6:01 pm

There's a few more of Thin Lizzy with Moore from 78 or 79 in Australia. He pretty much just used the "P. Green" Les Paul on them. I would recomend getting Thin Lizzy's "Black Rose", as that has Moore all over it. Usin a MXR Phase 100 alot on it as well. As far as the live "Dont Believe A Word" video,I think thats a 76-78 superbass probably. Thats not a reverb, but a delay/echo, probably the type Robertson used, before Gary briefly replaced him in the line up.I cant remember the brand, except it was English. Bentley or something.

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Tone Slinger
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Post by Tone Slinger » Mon May 14, 2007 6:07 pm

Chief, I remember laughing my ass off when I first seen that footage of Moore and King. Gary didnt hold back or pull any punches in anyway. It was funny as hell how Gary completly and utterly blew ol' B.B. away. It was like watching a good comedy or something. I do hear a little King in Moore though, particuarly some of the licks in the 74' studio version of "Still In Love With You".

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