Post
by Tone Slinger » Fri Nov 29, 2013 1:18 pm
I think that a Gibson style guitar (24 3/4 scale,set neck,mahogany/rosewood, etc) does very well, in general (not always),with lower out put pu's. They inherently have great resonance and 'width' to thier tone.What they dont have is sparkle and jangle. A lower output pu retains much more hi end, imo, this combines well with a Gibson style.
But, a Fender style (25 1/2 scale,Alder or Ash bodied with maple neck, etc) guitar is brighter with more throw and clarity,but lacks the girth. Moderate to higher output pu's work well with them imo.
My StewMac 'Golden Age' 9k is about at the starting line, imo, of where a bridge hb'er needs to be for a strat. It sounds great with either an A5 or A2 magnet. Another thing that I realized a while back and recently rediscovered(after changing my mind), A trem spaced hb'er works MUCH better in a strat than a Gibby spaced. All of the 'Golden Age' bridge pu's are trem spaced and all the neck ones are Gibson spaced. Regardless of the slant used on normal spaced pu's, the strings lose a little definition imo, especially the low E. The poles just arent spaced for optimumperformance. Trem spaced have no such problem.
Rip Ben Wise (StuntDouble) & Mark Abrahamian (Rockstah)