Tone Slinger wrote:Whether or not an amp was Marks work or not is gonna be a problem verifying ,now that he's gone. Even with detective work,it can get very hard to determine. For ex. the 1959 reissue that Mark originally modded for AndyK has since been sold. He did several reissue 1959's, wheres the PROOF of WHICH one is 'AndyK's' , or that Mark even did it ?
I think your clips with this amp sound authentic to Marks mod5 clips. That is no surprise though, cause the mod5 spec has been known for awhile now and Marks own work has been posted,though sometimes privately, for some time. There are no secrets or tricks, just 'common sense' variences to the same spec, depending on one ampto the next, etc.When I had my amp at 'stock' Mod5 values, it was TOTALLY the same sound as all of his soundclicks or the other 'Rockstah Mod5 clips' on youtube.
There is ONE main thing that makes me think Mark himself modded this 2204 and that is the ohmite resistor in the bias section. I've only seen those resistors in Marks work. He must have had a big supply of them.
Good points, and since Mark never signed his work, it's really hard to prove who did what to an amp. Even with my soundclick sample Mark sent me when he returned my amp, who's to say I didn't mod another one (same model)? I did have Mark put the PPIMV in one of the front input jacks (he normally did them in the back), and I have emails from Mark saying "your volume knob is in the front...". So, if anyone sees an early 1959 reissue with Mod 5 and the master in one of the input jacks, odds are that is my amp and a real Rockstah creation.
I like your last point - that's what I was trying to find - something that tells you Mark did my amp, and this seems like proof (or someone went out of the way to fake it)!