is there a tonal difference between 8 and 16 ohm cabs with a valve/tube marshall head? some say at 16 ohms your using all the windings of the OT
Any comments on this?
Thanks!

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Yeah, and I can tell the color of a Strat by its tone...jbzoso2002 wrote:eric johnson can also tell what battery is in an effect pedal by just hearing it.
I seem to remember that EJ runs 8 ohms because things seem a little more open that way. Perhaps, it's the same reason he uses "vintage" output pickups? He seems to like his essential sound very articulate and clear. That kind of makes sense considering how much delay and echo he uses which really kind of "rounds" things off quite a bit.kt2345 wrote:Im running a 4x12 @ 16ohms..i remember an old eric johnson interview where he said he prefered 8 ohm 4x12 cabs?
is there a tonal difference between 8 and 16 ohm cabs with a valve/tube marshall head? some say at 16 ohms your using all the windings of the OT
Any comments on this?
Thanks!
JB007 wrote:I,ve ran 4X12 cabs with EVM12L and Greenback speakers at 16 and 4ohm loads correctly. I can tell you from my experience that it makes a big difference. The lower you go in resistance the more quick punch i hear and less reaction time. So when i run my cabs at 4ohm's , you strike the strings of a non-master volume amp and it punches you right now with attack. At 16ohm's it sounds squisheir and slower in reaction time to me. more like a master-volume marshall. I think it's because you have more resistance at 16ohm loads. I can hear the difference and i will now run 8 or 4 ohm loads.
Indeed he is still using his vintage plexis as earlier on this year he bought my plexi 100 watt super tremlcampz wrote:...that's it...
The difference is very noticeable with a solid state/hybrid amp... it's a lot louder.
My favorite cab for my Marshalls/Metros is a 4x12" loaded with 8 ohm Greens. I wouldn't say it's spikey or piercing; however, when I hit an open (or closed) chord, there is no getting lost in the mix. The bass player has his space and I have mine. I also have a 4x12" loaded with 8 ohm G12-65s which are, of course, a mellower speaker. I still don't get lost in the mix.
I guess where this wouldn't work is the type of hardcore where it's all about the low growl.
EJ seems to be going through another transition. They say he's using stock 1959HW's now with "a few cap changes", though I would bet he hasn't sold off his vintage gear. Whatever he's using, it's all good with me. Sounded pretty good on his Anaheim DVD.
Sweet! ...you should have said, "Local pickup for you EJ. Private concert required upon receipt."kt2345 wrote:Indeed he is still using his vintage plexis as earlier on this year he bought my plexi 100 watt super trem
Good idea!lcampz wrote:Sweet! ...you should have said, "Local pickup for you EJ. Private concert required upon receipt."kt2345 wrote:Indeed he is still using his vintage plexis as earlier on this year he bought my plexi 100 watt super trem
I've rewired many cabs, going back and forth between 4 & 16 ohms and this is what I've found as well.JB007 wrote:I,ve ran 4X12 cabs with EVM12L and Greenback speakers at 16 and 4ohm loads correctly. I can tell you from my experience that it makes a big difference. The lower you go in resistance the more quick punch i hear and less reaction time. So when i run my cabs at 4ohm's , you strike the strings of a non-master volume amp and it punches you right now with attack. At 16ohm's it sounds squisheir and slower in reaction time to me. more like a master-volume marshall. I think it's because you have more resistance at 16ohm loads. I can hear the difference and i will now run 8 or 4 ohm loads.