Post
by Mynameisfritz » Thu Mar 03, 2011 6:14 pm
Yeah, I heard about these Weber speakers - but they are pretty expensive over here. Concerning the JBL's and Cerwin Vegas I read this in another forum:
Speakers: This is the most important factor of them all, IMHO.
Sure, you need the Les Paul/humbucker guitar and the Marshall 50W, but even then you won't really get there.
From at least early '70 and onwards, both Duane and Dickey used two amp heads on top of two Marshall basketweave cabinets each.
There have been lots of rumours of which type speaker they used. There are photos from early '70 showing that both Duane and Dickey used the top/slanted cabs with the back panel removed, and just a replacement back panel strip on the upper and lower part of the cab, so it was open in the middle half. Both cabs definitely show JBL D120F speakers.
As far as the bottom cabs, they both had the back panel on, and there's no telling which speakers were in those cabs.
However, I think that Duane's tone changed slightly from the latter part of '70 and onwards, becoming a little rounder, compressed and gainier, with almost a fuzzy edge, whereas Dickey's tone became differentiated into a very sweet, clear and bell-like tone.
I searched out a pair of JBL D120Fs and used those in an open-back 2x12 for a while.
Those speakers sound great, but they are very articulate, cleanish and almost hi-fi. Very touch responsive, but I feel they can be a bit harsh when pushed, especially with a lot of overdrive.
The midrange never sounded just right for a Duane-type tone to my ears. For more of a Dickey bell-like tone, they sound great.
I heard a rumour that Duane used Cerwin-Vega ER123 speakers along with the stock Celestion speakers in his cabs, and went back to a closed-back setup.
So I tracked down a pair of those ER123s, tried them in the 2x12 and went "eureka!".
That's it. There it is - all the sizzle, honk, scream, crunch, touch-responsiveness, woodiness and clarity you could ever want.
Then I went one further and paired them up with a pair of Scumback H55s (Celestion G12H30 clones) in a '70 basketweave cab (closed back) and never looked back.
It's simply put the nicest sounding cab I've ever heard.
To be fair, I've since tried the open-back 2x12 JBL cab along with a closed-back 4x12 with G12H30s, and that's a fantastic tone as well.
For those who are deep into ABB history, I'd say the 2x12 D120F/4x12 G12H30 combination might actually be the closest to the original Fillmore East album whereas the ER123/H55 4x12 nails the later June '71 Fillmore recordings
Bottom line; you need to mix speakers, you need the Celestions, but you need to pair them up with something else to get the right sizzle and honk and the trebly crunch.