Post
by Tone Slinger » Tue Jul 12, 2011 8:43 am
Agreed, I'm gonna pull out my YJM and check this out.
Here's another thing about the YJM, it was DESIGNED to be used like how Yngwie uses one. I know it's an old unit (250) and that the D+ is even older, so Dan Armstrongs little 'plug in' was the earliest varient ?
Yngwie was CRANKING up his units (250) volume, to 'smooth' out the harsh quality of the gain, as well as to get at the bottom end. On original spec units, you get alot of 'flub' by doing this, so its not ideal. Plus, you have to have the unit on ALL the time, because by cranking up the volume knob on the unit, you have far surpassed the sound/volume of your amp when you turn the pedal off.
The 'stock' YJM spec takes all this into account. You HAVE to have this units volume knob up to at least 3 o clock, or it is very brittle and shrill. Set your amps volume to a point to where when the YJM is on (in Mamsteens case, ALL the time) it is where you want it, and viola, sounds REAL GOOD ! To me,, when the STOCK YJM is cranked (both knobs) you get the most BAD ASSED D+ type tone around. Has the fullness of the 250, but the tighter tracking of the D+. You have to set your amp to accomodate this though.
I took my YJM to 'analogman' spec, but found that it was better 'stock', so long as you use like Malmsteen does, ALL the way UP !
These NEW specs (thanks Parkhead !) sound like they may make the unit much more versatile as far as possibly NOT having to set the volume so high.
Rip Ben Wise (StuntDouble) & Mark Abrahamian (Rockstah)